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    THE POETRY OF SCULPTURE

    by Weishan Wu (Nanjing University, China)

    Table of Contents (622k)
    Foreword (230k)
    Chapter 1: Father and His Poems (458k)

    About Weishan Wu


    A renowned sculptor from China, Professor Wu Weishan stands out in China's art arena — indeed, in the entire cultural fraternity — with his unique sculpting styles and original theoretical views. His series of creative works that feature China's historical and cultural celebrities showcase his freehand sculpting technique and his concept of the “eight major styles of Chinese sculpture”, which directly challenge the phenomenon of contemporary art steeped so heavily in values derived from Western popular art and Russian realism.

    This book documents the different stages of Wu Weishan's pursuits, struggles, and creations. It records his dealings with eminent figures in the science, cultural, and art arenas, such as Yang Zhenning, Ji Xianlin, Wu Guanzhong, and Xiong Bingming. His art notes, excerpts from his theoretical essays, and images of some selected sculptures are also included. From here, readers can get a glimpse of an artist's inner world during his growing years — how he devoutly approached life and art against the backdrop of contemporary society and culture.

     
    Contents:
    • Advancing Towards a Boundless Universe:
      • Father and His Poems
      • Spiritual Sketches
      • Picking Up Treasures from Old Bookstalls
      • The Country of Tulips
      • Pursuing Dreams in Paris
      • Crossing the Pacific
      • Full Moon in Britain
      • The Season of Cherry Blossoms
      • Boisterous Hong Kong
    • Sculpting the Times:
      • Extraordinary Character
      • Talking about Form and Spirit with Pride and Exultance
      • A Name Remembered throughout Generations
      • A Devoted Ox of Chinese Culture
      • An Oriental Old Sage
      • Making a Sculpture of Lin Sanzhi Six Times
      • The Humour of a Master Mathematician
      • Sculpting Confucius Using Ancient Methods
      • An Instant of a Peasant-Scientist
      • The Form of Old Man Shanyuan
      • Sculpting the Confident and Deep Xiao Xian
      • The Soul of Similarity and Dissimilarity
      • A Minute Detail
      • Sculpting Wu Zuoren
      • Sculptures of Cultural Notables
    • On Creating Freehand Sculpture:
      • The Theory of Freehand Sculpting (Excerpt)
      • My Views on the Characteristics and Styles of Chinese Sculptural Art
      • Sculpting the Spirit of the Times
      • The Soul of Western Han Dynasty
      • Free Discussion on Sculpture
      • From Clay to Bronze
      • The Primitive Spirit in Modern Sculpture
      • The Poetry of Sculpture
      • Tradition and Innovation
      • Pictures of Freehand Sculptures
     
    Readership: Those interested in the art of sculpture, especially Chinese sculpture.
     
    “Rooted in ancient Chinese culture, and drawing inspirations from the great revolutions in Western art of the last two centuries, Wu Weishan forges no less a task for himself than to sculpt the very essence of Chinese civilization … His sculptures strike a delicate balance between ‘likeness of spirit’ and ‘likeness of form’, a balance that is at the very foundation of the definition of art in China.”
    Professor Yang Zhenning
    Nobel Laureate in Physics
     
    364pp    Pub. date: May 2008  
    ISBN:   978-981-279-007-1
    981-279-007-1
       US$78 / £51

     


    364pp    Pub. date: May 2008  
    ISBN:   978-981-279-008-8(ebook)
    981-279-008-X(ebook)
       US$101

     


     

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    Updated on 13 February 2012